On a beach, the film follows an introspective, sensory journey from the outer world toward the emotional system: contact with seawater turns skin and body into a passage inward, revealing a fragmented emotional portrait like shards of glass submerged in the sea. As the fragments descend, images shift into expanding and contracting patterns, culminating in a visceral, cathartic transformation.

Coming from glass bottles, the crystals—initially sharp and fractured—were thrown into the sea by humans, then transformed over time by waves and sand into polished forms. The film uses sea glass as both subject and material (inspired by stained-glass windows), building miniature landscapes filmed with microscopy and underwater techniques, as a sensory and introspective exploration of symbiosis, inner states, and time.