Pharmakon is an experimental work produced through artificial intelligence, photogrammetry, and real-time digital processes. It explores a world where technology and the superstructure that governs it are both poison and cure. In the age of the simulacrum, the real dissolves, subjectivity fractures, and our desires no longer belong to us. A visual journey into the heart of a remedy that also makes us ill.

My artistic practice stems from a critical need to explore and challenge the devices and technologies of power that operate in everyday life. Through experimental video, 3D animation, digital collage, and other postproduction strategies, I investigate how control technologies—both visible and invisible—shape our perceptions, emotions, and representations. Influenced by poststructuralist thought and critical philosophy, I conceive art as a space for fracture, discomfort, and reflection.

I am interested in working with imperfect images, glitches, and non-linear narrative structures that resist the logic of spectacle. My works are visual essays that seek to break away from conventional audiovisual formats and open up sensitive possibilities at the intersection of media.